“With the UCLA Summer Chamber Music Institute well on its way, this year’s participants have been on a whirlwind musical adventure thus far. The students have come from near and far (even from Alaska!), and the SCMI faculty, led by Dr. Jennifer Snow, has helped make the most out of their first few days as true Bruins! After an intense audition process before the summer session, the students came prepared to delve into the intricacies of chamber music. However, they soon found that chamber music entails quite a bit more than what they had originally expected…from breaking the molds of common performance practice in Dr. Snow’s chamber class, to exploring personal and interpersonal movement with Dr. Mark Carlson and Professor Wookey, and much, much more.

Brass students in the Summer Chamber Music Institute

In daily practice, the students are working incredibly hard to perfect pieces for their final concert on Sunday, July 13th (at 11:00 am in Schoenberg Auditorium). Works that would normally require weeks have taken these students simply a matter of days…which is certainly a testament to their unrelenting work ethic. And all the while, the fantastic SCMI staff has been helping them along the way – with Ikumi Hiraiwa as the director’s assistant and piano faculty, Dr. Chelsea Howell leading the woodwinds, Dr. Meghan Turner coaching the Brass, Dr. Carter Dewberry assisting the strings, and UCLA students Sumner Arano, Lorry Black, Paula Karolak, and myself as coaching assistants.

Professor Jens Lindemann, coaching. Really.

Additionally, the SCMI students have been fortunate enough to work with many esteemed UCLA faculty members (Professors Sheridon Stokes, Neil Stulberg, Gary Gray, Jens Lindemann, Mark Carlson and Brian O’Connor) in small master classes geared toward refining individual and collaborative performance. As aspiring musicians, the students certainly took full advantage of picking these masters’ brains!

Professor Gray with class

Luckily, it hasn’t been all work and no play. The students have enjoyed some down time exploring UCLA’s campus and Westwod, eating from Diddy Reese, and living the college dorm life. Not to mention, tomorrow night, we’re all headed out to see a performance of the Los Angeles Philharmonic at the Hollywood Bowl!

With about half the week still to go, we all have much in store. But, the resulting concert will surely not be one to miss!

When? Sunday, July 13th. Schoenberg Hall. 11am.

Why come? Because you love chamber music!”

Find the clip of the trumpet player in the vibrant blue jacket and click on that to enjoy the performance.

We have heard from Music Department professor Gary Gray that he was guest artist and faculty at Margaret Thornhill’s Claremont Clarinet Festival, which was held from June 9th - 15th at Pomona College. MM Student Tanitra Flenaugh from UCLA also participated.

Gary Gray, left, with Margaret Thornhill, Director of the festival, and Michele Zukovsky, 1st clarinetist with the L.A. Philharmonic after master classes.

UCLA MM student Tanitra Flenaugh with “the guys”–other clarinetists from the festival.

Gary also tells us that he will be giving a master class and concert at the Music Teachers Association of California convention this upcoming weekend (June 28th and 29th).

Music Department visiting professor Gloria Cheng, who has taught for us in several areas, has a new interview on YouTube in which she discusses differences between playing for performance and for recordings, as well as her well-known interest in contemporary music. You can see, and listen to, the interview at:

http://www.youtube.com/watch?v=MHQ0HX3yl3E

The Department of Music’s Professor Antonio Lysy would like us to know about the 20th Anniversary of a music festival in Italy with which he has been associated for many years. Incontri de Terra in Sienna will take place from July 25th - August 3rd in Siena Italy, and will feature some of the world’s best known musicians and composers.

Please visit the festival website at: http://itslafoce.org/2008_season. There is a full calendar of the summer’s concert activities and much information about the festival itself.

And of course, we hope to have some photos later on this summer from Prof. Lysy of this year’s festival activities.

Trinity Lutheran Church, Manhattan Beach
Friday, May 2, 2008 - 12:15-12:45 p.m. - Free

JUDY HUANG piano

Pianist Judy Huang was Grand Prize Winner of the 2004 Carmel Music Society Piano Competition. She made her debut solo recital at Carnegie Hall’s Weill Recital Hall in 2006 and was asked back in 2007 to give another recital. She has also appeared as a soloist with the Peninsula Symphony, Rio Hondo Symphony, Redlands Symphony, Riverside Symphony, Palermo Orchestra, and UCLA Philharmonia Orchestra. A graduate of UCLA, Miss Huang has worked with Robert Turner, Ming-Qiang Li, Aube Tzerko, and Vitaly Margulis. Read about Judy by clicking: www.JudyHuangPianist.com
Program

Scarlatti: Sonata in C Major
Scarlatti: Sonata in G Major
Chopin: Nocturne in F Major, Op.15 No.1
Chopin: Etudes, Op.10 Nos. 5, 7, 8
Chopin: Etudes, Op.25 Nos. 1, 6, 11
Debussy: Prelude “Feux d’artifice” from Book II
Chopin: Andante spianato et Grande Polonaise brilliante, Op.22

Friday, May 2, 2008 - 12:15-12:45 p.m.
Trinity Lutheran Church
1340 Eleventh Street
Manhattan Beach CA
Free admission, donations appreciated
For a Google map, click here.

Box lunches, with sandwiches made from special-order bakery bread and farmers-market-fresh produce, are available afterwards to enjoy with artist or take back to the office.

“I’ve just gotten word that one of my former undergraduate voice students, Shannon Haley, has released a new CD of country western love songs, “Someday Soon”, which has received a rave review from one of the top internet country music sites. Her MySpace page has been viewed almost two million times. Her bio prominently lists UCLA as her alma mater. Shannon sang in the chorus of “Lorca” in her Freshman year, then shifted the focus of her vocal work to country western singing and songwriting - a long-time love of hers. She changed her major and graduates from UCLA this June. I believe she’s destined to make quite a mark in country western music. Here are several links to info and support pages on Shannon, and sound clips of her music.”

http://newcountrystar.com/Music.phphttp://www.shannonhaley.com/

http://www.myspace.com/shannonhaley

http://www.garageband.com/artist/shannonhaley

“It was an incredible experience to work with both David Aronson and Sylvia Greenberg. These are two people who have had enormous careers in the European operatic world; to receive hands-on advice and constructive criticism from two professionals of that stature is an experience I will never forget. [They also had a lot of] fantastic advice at the end of the master class on how to get your foot in the doorway of the European music scene. I would love to have both of them come back and do an extended week of masterclasses for the voice department. I think even the most advanced singer would learn something of extreme value.”

- Lisa Hendrickson, senior

Sulvia Greenberg with student Lisa Hendrickson

“It was a unique opportunity to work with a world-renowned singer and an extremely accomplished conductor at the same time. They were such a great team, and I felt as though we all got the best of both worlds, musical and technical.”

- Rebecca Sjowall, MM candidate

David Aronson with student Heather Henderson. Stephen Karr is accompanying.

“Both Mr. Aronson and Mrs. Greenberg were very professional and helpful during the master class. They showcased their incredible knowledge of the repertoire and of the voice itself. Mr. Aronson was especially helpful with me in all the artistic, musical and linguistic aspects of the music. He made realize all the little tidbits that I had missed when working on it by myself.”

- Julian Arsenault, sophomore

SYLVIA GREENBERG, Soprano

The Israeli soprano made her vocal debut in a concert with the Israel Philharmonic Orchestra under Zubin Mehta. During the years as a member of the Zurich Opera House and of the Deutsche Oper Berlin she sang many coloratura roles, such as Zerbinetta, Blonde, Oscar and Sophie. However, Mozart’s Queen of the Night became the artist’s hallmark at virtually all of the major European opera houses. Guest engagements have led her to the festivals in Salzburg, Bayreuth and Aix en Provence as well to the Teatro alla Scala in Milan where she sang the title role in Donizetti’s “Lucia di Lammermoor”. She appeared in world premieres of operas by Manzoni and Berio in Milan and in Salzburg.

During the early 1990’s, Konstanze in Mozart’s “Abduction from the Seraglio” became a major role of her repertoire, and she has sung this at the Vienna State Opera, as well as in Bonn, Toulouse, Ludwigsburg, and Wuerzburg . Since then the artist has moved to the more lyric repertoire, first as Pamina, then as Micaëla and Donna Elvira. She sang Donna Anna for the first time in Munich in 2001.

The artist is as established in the concert world as she is on the opera stage. She made her highly acclaimed U.S. debut singing Haydn’s “The Creation” under George Solti in Chicago, and her New York debut in Carl Orff’s “Carmina burana” under Zubin Mehta. Sylvia Greenberg has worked with many of the world’s leading conductors, including Abbado, Bertini, Blomstedt, Chailly, Dohnanyi, Flor, Frühbeck de Burgos, Harnoncourt, Lopez-Cobos, Luisi, Maazel, Muti, Nagano, Norrington, Rilling, Roshdestvensky, Sawallisch, Tilson Thomas and Varviso. She appears frequently with the great orchestras of Europe and abroad. Her wide concert repertoire includes Bach’s passions, Mahler’s symphonies, Dvorák’s, Szymanowski’s and Poulenc’s Stabat Mater, and virtually all of Mozart’s sacred works. Furthermore she has sung world premieres of music by Krzysztof Penderecki and Gil Shohat.

Sylvia Greenberg can be heard on numerous recordings which include Mozart’s “Abduction”, Haydn’s “Creation” and “L’anima del filosofo”, Gluck’s “Paride ed Elena”, sacred music by Poulenc and Bizet as well as Orff’s “Carmina burana” and Berio’s “Un re in ascolto”. The artist’s most recent releases are concerning Mahler’s 8th Symphony under Kent Nagano with Sylvia Greenberg singing the 1st soprano as well as the newly rediscovered cantata “Crudel tiranno amor” by George Friedrich Haendel (recorded 2006). Her schedule includes frequent recitals, and she is also highly respected as a teacher, holding classes primarily in Munich and Vienna.

DAVID ARONSON, conductor and pianist

A native of New York, the conductor and pianist David Aronson holds degrees from the Crane School of Music in Potsdam (New York) and Manhattan School of Music.

He began his career as a freelance vocal coach and accompanist in New York City, followed by engagements as assistant conductor with the opera companies of Kansas City, Lake George and Miami. He moved to Zurich in 1978, where he rapidly rose from coach at the International Opera Studio to assistant chorus-master and conductor at the Zurich Opera House. In 1982 Mr. Aronson began a nine-year appointment as Kapellmeister of the Municipal Theater of Lucerne, where he conducted over forty operas, operettas, and ballets. In addition to appearing as guest conductor in Darmstadt, Stuttgart, and Aix-en-Provence, he assisted Herbert von Karajan in his production of CARMEN at the Salzburg Festival. Mr. Aronson was a guest conductor of the Schönbrunner Schlossorchester in Vienna and made his conducting debut with the Vienna State Opera in November, 2000. As a member of that opera company’s music staff since 1991, he has also performed at the keyboard both in Vienna and on tour in Tokyo, Jerusalem, and Ravenna. A sought-after opera coach, Mr. Aronson has worked with many of the world’s leading singers, including Walter Berry, Placido Domingo, Luciano Pavarotti, Bryn Terfel, Renee Fleming, and Anna Netrebko, to name a few. He has assisted many of the world’s foremost conductors including Zubin Mehta, Riccardo Muti and Seiji Ozawa. For over five years, he was the pianist for Riccardo Muti’s acclaimed productions of the Mozart-da Ponte operas and in this capacity participated in two Asian tours with Seiji Ozawa.

A faculty member at the Vienna Conservatory Private University, Mr. Aronson has given master classes for over ten years at the University of Miami’s summer music program in Salzburg. His master classes are increasingly in demand, with invitations from the Musica Mallorca Festival, the University of Michigan, Crane School of Music in Potsdam and Manhattan School of Music. An accompanist of international stature, Mr. Aronson has performed numerous recitals in Austria, Switzerland, Germany, France, Poland, Italy, Cyprus and the United States.