School of the Arts and Architecture

Department of Music

AUDITION REQUIREMENT

 

CLASSICAL GUITAR

 

Freshman and Sophomore Performance Specialist and Music Education specialists

 

TECHNIQUES:

 

·  Sight-reading:

o       Sonatinas by Mozart, Schirmer’s Edition

o       Guitar Trio by Leonard de Call, Schott Edition

o       Guitar Duets by Ferdinando Carulli

 

 

REPRESENTATIVE REPERTOIRE

 

§       Movements from Baroque suites by Johann Anton Logy, Robert de Visee, J.S. Bach or others

§       Preludes or Etudes by Heitor Villa-Lobos

§       Pavanes by Luys Milan

§       Guardame las Vacas by Luys de Narvaez

 

 

For Junior and Senior Performance Specialists

 

TECHNIQUES:

 

·        Sight Reading:

o       Eight Pieces for Two Guitars by Igor Stravinsky ­ editor: T. Norman ­ Chester Editions

o       Six Sonatinas by Soulima Stravinsky ­ editor: T. Norman ­ Peters Editions

o       Hindemith Trio ­ Schott Edition (3 guitars)

o       3 Quintets of Boccherini ­ Zimmerman Edition (guitar & string quartet)

o       J.S. Bach Sacred Arias for Flute, Voice and Guitar ­ Haslinger Edition

o       Haydn Quartets and Trios ­ Coblinger Edition (guitar & strings) Originally for  Lute and Strings

 

 

REPRESENTATIVE REPERTOIRE

§       A movement of a suite by J.S. Bach

§       A Spanish work by Isaac Albeniz, Joaquin Turina, F.Morena Torroba

§       Fantasias by 16th-century vihuelistas

 

 

 

 

MM and DMA:

Your program must include one from the following: Villa Lobos: Prelude No. 1 (Eschig); J.C. Bach: two contrasting suite movements; Krenek: Suite (1957) (Doblinger).


Suggested works: movements from Baroque suites by Weiss, or suites in the Baroque style by Manuel Ponce; Boccerini/Casado concerto; Rodrigo concerti