School of
the Arts and Architecture
AUDITION
REQUIREMENT
* String Auditions.
At your audition, all works that have a piano or orchestra part should be played with piano. Hearing how you play with a piano is one of the skills faculty will be evaluating. We will provide a pianist, but of course you are welcome (and even encouraged) to come with your own pianist. Whether or not you come with your own pianist, please BE SURE TO BRING ALL PIANO PARTS WITH YOU! Rehearsal time with our staff pianists is very limited, but we will try to be as helpful as we can. Try to come early enough to take advantage of any rehearsal time that may be possible.
All Performance Specialists:
TECHNIQUES:
· Scales: major
and minor, 4 octaves
·
Arpeggios: major and minor, 4
octaves
· Etudes: One from the following:
Servaise Caprices
Popper (High School of Cello
Playing)
Piatti Caprices
REPRESENTATIVE REPERTOIRE
A Short Virtuoso Piece or a Movement from a Major Sonata.
Two contrasting movements from a Bach Suite for Cello
Solo
One movement of a major concerto
All
Music Education specialists:
TECHNIQUES:
§ Scales: major and minor, 3 octaves
§ Arpeggios: major and minor, 3 octaves
§ Etudes: One Etude from the following: Duport,
Franchomme, Popper.
REPRESENTATIVE
REPERTOIRE
A
Short Piece or Sonata movement
Two
contrasting movements from a Bach Suite for Cello Solo
One
movement of a concerto
Unless the program is specified
below, you should prepare a full recital, demonstrating your familiarity with a
variety of musical styles and periods, including the 20th Century. You should prepare complete works, unless
otherwise noted. Sight reading on the level of standard orchestral excepts or
recital repertoire for your instrument may be required. Your
choice of repertoire must be submitted at least one week in advance of the
audition.
NOTE:
All works, except for Sonatas with Piano and complicated 20th
Century music, must be presented from memory.
Repertoire: MM: You should prepare the following program: a) one
movement of a standard concerto for cello, b) two contrasting movements of any
suite by Bach, and c) two contrasting movements from a Sonata for Cello or two
contrasting short works from the standard repertoire.
Repertoire: DMA: Your program should be similar to the above, except
a) complete works for all categories must be prepared, b) you must include one
of the Bach unaccompanied suites and c) you must prepare a major 20th
century work.